When X was Why

I caught you whirling ‘neath an aether cyclone moon
Fairest and dark, the streets all a-shimmer
Beneath your flurried banner-limbs
Waving as though a breeze were just now your just god
The cotton-warm glow of the halo of street lights
Were slanted pillars propping all those nights we chased
Morrison through celluloid frames,
False but bearing the brunt of all our hopes
In cinemas long locked and cut away
My god you can never go home
When home to you is a past already interred
Deep in cemeteries locked barren
Within the dying of your cyclone-moon heart

But we dug for our own truths then
(young enough to think we knew it)
And we learned to say Manzarek
where others chanted Jim
In days of Kilmer killing it outright
With every play of Tombstone on repeat
Or Marsellus Wallace speaking strong and low
Over and over to mark the summers
Where once there had been only carbonite,
Where once there had only ever been Han’s Falcon
And the invincible felt-fur of ever-changing fedoras
Which caught our child-souls up like kites
And bore them high aloft on winds born
Of the rustle of comicbook paper
and that sacred ocean breeze

The cigarette butts on the cinema courtyard
Like so many spent shotgun shells
Spent out worshipping their beer-bottle towers
Perched on cold concrete, dead to the touch
And dead again in the sardonic waxing moon
Of Gilmour and Waters and Mason and Wright
And to think, we thought we owned the night
When all we had were cars and half-formed dreams
And both of those barely running on fumes
Breathed out in the cadence of the thoughts
Of what we just knew adults should be
And we thought we’d get there
One day, we said
One day,
Was it good for you too?

Author: Benjamin Brunson

Benjamin Brunson (born 1975) started writing at the age of 7, when his father encouraged his pounding out of stories about a certain movie archaeologist on a family typewriter. He grew up in an era when action movies were iconic, and comic books were a mere 75 cents and available at every grocery store and corner gas station. His imagination was further fueled by a mother who introduced him to books and reading at an early age, eventually gifting him with copies of Treasure Island and 20,000 Leagues Under the Sea. That same mother would also bestow upon him a deep love and respect for the ocean and a good storm. Brunson would go on to participate in a creative writing magnet school program in his high school years in Montgomery, Alabama, where he became co-editor of the program’s literary magazine under the tutelage of Jerry Lawrence. At Auburn University, he majored in English and Literature, and quickly landed a spot as the film critic for the campus newspaper. The professors he would encounter in his collegiate career, namely Dr. Oliver Billingslea and Dr. Suzie Paul, would inspire him and help shape and steer his lifelong dream of creating fiction. In 2003, a major television network would cancel Brunson’s favorite sci-fi show about a group of ragtag misfits who, aboard a cargo spacecraft, took on various odd jobs in order to cull out a living and keep on flying. Feeling as if a deep void had been created in his life from the loss of the show, Brunson channeled his love for the ocean and began scribbling the notes for a handful of newly created characters and locations. These notes would, fourteen years later, form the basis for his monthly oceanic adventure saga, Blue Daunia.

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